AE (George W. Russell), Alchemy, Chalkboard Murmuration Bird, Dante Alighieri, Dog, God, Gossamer, Infinity, James Joyce, Lazarus, Lizzie Twigg, M. K. Dickerson, Nothing, Paradiso, Quadrature of the Circle, Resurrection, Temporality, Theatre, Ulysses
[Scene: Two lovers in bed, AE with Lizzie Twigg: coiled head to toe they quietly discuss the fixity of their volatility and the volatilization of their fixation, until within his fixedness AE has become nothing and feeling everything, Lizzie becomes volitive. They communicate intermittently in increasingly more laconic narrations. Also a small angry dog is trying to take up as much space as possible between them. It's so cute! Come here little puppy, come here. What a good doggie. Who's a good doggie? Oh Jesus God! He's all teeth! Get off me! Like petting a piranha with fur.]
AE: It’s just that we define ourselves contrarily to each other. I am me because I am not you, and you are you because you are not me. We are poles apart.
Lizzie: We are the same person, AE, don’t you feel it? After all the mutual deaths we have died? Resurrection, translation, return, distillation, putrefaction, decay, still you don’t know you had it backwards the whole time. You were resurrecting in the wrong direction.
AE: I know. I know it. I just wanted to be the material representation of eternality, in linear time. Just once. Just for a little while. Only long enough to re-experience that feeling of linearity. Don’t you miss it? And feel what it could be, to be linear and eternal simultaneously.
Lizzie: But you can’t just translate yourself into linearity and say I’m back, everybody, I’ve gained bodily entry into eternity and now look at me! Look at what happened to Lazarus. No. If you want to see how a human mortal finds a place within eternity, that’s not going to cut it. That gets you nothing.
AE: Nothing’s not nothing. Don’t knock nothing.
Lizzie: No, nothing’s not nothing.
AE: I was trying be the eternal temporalized. I wanted to be the all at onceness linearized. I wanted to square that circle, just once. Just the one time and be it and feel it, really feel what it is to be the coexistence of the infinite and the finite.
Lizzie: Be eternality living in linearity? Darling, you’ve done it. You’ve been there already. The infinite and the finite are the same things whichever side you’re on, if you really must take sides, can’t you tell? Just look at us, two beings contrarily defined yet coexisting as aspects of the same reality.
AE: I know. I get it. You don’t have to scratch me like that.
Lizzie: That wasn’t me, but here’s a flash of light for you AE: when we were mortals we didn’t have to go around worrying all the time about gaining bodily entry into eternity: eternity had already gained bodily entry into us. We have always already been since time immemorial and forevermore, the material representation of eternality.
AE: We are God.
Lizzie: Exactly. We are already a squared circle: we can take a finite form, but our infinite selves are in there too.
AE: We are a circle, containing everything.
Lizzie: Everything and nothing.
[At rest relatively to themselves and to each other, the lovers settle into silent contemplation. Small birds rise gently, sweetly, from Lizzie and from AE. Hundreds of them flitter up in swirling concentric patterns bringing with them, as if reflected from the sheen of their feathers, an increasing luminosity of ruby light. Thousands of little birds, aeons of them, softly forming clouds as soft as what do you call it gossamer, the clouds forming mist, the mist gently drifting downward covering the lovers, the lovers blurring about the edges. Together they coalesce and dissolve, their bodies languid, breathing, watching their spirits unrestrained, circling, birds rising into mist falling, like self knowing wheels revolving uniformly: self knowing and self known.]